Theodore Gericault

French Romantic Painter, 1791-1824 Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent. The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.


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Theodore   Gericault details The Raft of the Medusa (mk10) oil


details The Raft of the Medusa (mk10)
Painting ID::  21755
details The Raft of the Medusa (mk10)
1819,Oil on canvas 491 x 716 cm Paris,Musee du Louvre
1819,Oil_on_canvas 491_x_716_cm Paris,Musee_du_Louvre
   
   
     

Theodore   Gericault The Raft of the Medusa (mk10) oil


The Raft of the Medusa (mk10)
Painting ID::  21759
The Raft of the Medusa (mk10)
1819,Oil on canvas, 491 x 716 cm Paris,musee du Louvre
1819,Oil_on_canvas, 491_x_716_cm Paris,musee_du_Louvre
   
   
     

Theodore   Gericault Chasseur of the Imperial Guard,Charging (mk10) oil


Chasseur of the Imperial Guard,Charging (mk10)
Painting ID::  21840
Chasseur of the Imperial Guard,Charging (mk10)
Around 1812,oil on paper Mounted on canvas 43 x 35.5 cm Rouen,Musee des Beaux-Arts
   
   
     

Theodore   Gericault Raft of the Medusa oil


Raft of the Medusa
Painting ID::  40659
Raft of the Medusa
mk156 c.1818 Oil on canvas 491x716cm
mk156 c.1818 Oil_on_canvas 491x716cm
   
   
     

Theodore   Gericault The Madwoman or the Obsession of Envy oil


The Madwoman or the Obsession of Envy
Painting ID::  40666
The Madwoman or the Obsession of Envy
mk156 c.1822 Oil on canvas 72x58cm
mk156 c.1822 Oil_on_canvas 72x58cm
   
   
     

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     Theodore Gericault
     French Romantic Painter, 1791-1824 Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent. The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.

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